May 052012
 

So, finally, back home. It took four weeks as opposed to the three weeks I was expecting.

Now, where was I? Well, I’ll finish uploading the last song for the “Seed” and publish that album tomorrow. Then I’m off to greener pastures and new musical soundscapes. I’ve already been working on some stuff for No More Cocaine. I did a lot of thinking and mental songbuilding during my four weeks away, so I have a bunch of ideas that I want to put on tape. I’ve also listened to a lot of Tricky and other older Trip-Hop artists and I have to say that it’s been influencing me a little.

I was initially hesitant on putting overtly electronic or beat heavy stuff on No More Cocaine’s music. But I think I’ll just go “fuck it” and do what I like.

Apr 292012
 

So, I’m not home yet.

It seems that going back to home was delayed by a week. That’s a slight problem, because I needed that week to finish my solo album and move to new projects. We’ll see how it goes. The album is almost completely done, but I might have to drop off a song or two. I’m going to give a coupon code for that pre-orderers that will take off half of the price of any of my future albums in compensation for unintentionally misleading them.

That said, I’m still playing Saxophone and loving it.

Which leads to my next bit of stream of consciousness: I have a feeling that No More Cocaine will end up being my main project in the future. I’ve already made some test songs and I have great deal of ideas where to take the project in the future. Almost certainly it will prominently feature my Saxophone in it.

I’m thinking of making most of the music for No More Cocaine in a very eclectic combination of Blues, Jazz and Rock. It’s nothing unusual or complex. Basically I will be using Blues scales and generally the blues sense of aesthetics for simplicity a lot, and the rhythm will be more towards rock, and from Jazz I will steal the improvisational nature of the music.

In other words, I will be improvising big parts of the songs. Which is unusual for me, I’ve always constructed my songs fairly methodically, despite the simplicity.

But the big change in how I approach things is because I now more or less accept that despite the improvisational nature of what I am planning to do, it will still be fairly simple. I like simplicity and minimalism. I sometimes have a lot of things going on in my music, but it’s fundamentally very simple stuff.

So, I am pushing my music outside the old boundaries a little bit. We’ll see how that works out.

Mar 262012
 

So, I’m working on some of our older songs. Touching up the mixes where necessary and then readying them for a release. It’s going to take a while since there’s no real deadline, but I assume you can expect either of two releases fairly soon. One is three songs of glitchy guitar Industrial Metal. Much more laidback than the newest song “Artificial Solution”. The other release is two songs of pretty straightforward rock’n'roll with veeeery minor electronic elements.

I’ve also started the work on reworking the mixes of the “Fourth Empire” which is our unreleased fourth album. It was intended to have vocals on it, so it was composed as such, so it might be a little uninteresting at some places as an instrumental. But, it’s also on its way. It is beyond punishing, btw. It’s absolutely ridiculously heavy. That’s my professional opinion.

Of course, you can also expect the release of my Solo Album “Seed” soon.

I also need to work on the cover art for such future releases. I will also be starting the planning phase of future No More Cocaine releases as well.

In a word: Busy.

But, unfortunately from 4.4 on forwards I will not be home for three weeks. This means that everything I am working on will be pushed back three weeks. I might be able to work on some new material, although it’s unlikely. But I certainly won’t be able to work on remastering or retouching older material for release.

 

Another addition to the Midnight EP. This one is borderline “post-rock”, believe it or not. Not really sure what style of music this is, but it’s not like anything else on the EP. But I think it rocks, so here you go, enjoy the Epic journey.

 

So, yeah, I couldn’t keep my hands off from the Dark Ambient side of the world. So, I added one more song to the EP. I’ll probably do at least one more if I know myself, but we’ll see.

 

So, this is an EP only if you’re very charitable. It has two songs and is about twelve minutes and some odd scraps long. One song is more “Dark Jazz” if you’re charitable, and the other is just pure Desolate/Dark Ambient. You can download it for free if you’re up to it, or you can pay anything you like if you feel like contributing something. But first, here’s a listen:

 

I’ve been working on some dark ambient for No More Cocaine. The Dark Jazz is pretty much nonexistent right now, it’s pure Dark Ambient. No rhythmic elements either. Those will arrive, but I want to concentrate on the more Dark Ambient stuff right now. It’s pretty fun to go back to the old ambient stuff.

I haven’t done any proper ambient for years. I have few songs that barely scrape under the line to be included in the genre. But even that is like on the First and Second album of King Fear. That’s a long time ago.

I’ll probably next try to make something semi Dark Jazz slash Dark Ambient so people won’t forget that No More Cocaine isn’t just a pure ambient project.

 

So, I have four more songs to finish and I’m done with the “Seed” album. I like it, but I think I’ve more or less explored all there is for me to explore of that particular style of making songs.

In other words, I’m itching to start working on new projects.

I’m working on some debut stuff for “No More Cocaine”. Probably an EP or “single” with just few songs on it to establish what kind of sound I am going for. Basically my version of “Kilimanjaro Dark Jazz Ensemble”. More or less. Less IDM, no vocals, more Dark Ambient and weird soundscapes. More upright bass.

Also, I’m considering as the next project to work under my own name to be a refined and better approach to “Project Mayhem” that I worked for King Fear. Actually, I don’t remember if it was under my own name or not. Probably under mine.

Anyway, it was the attempt – more or less serious – to make “Techno Metal”, or “Electronic Metal”. It’s hard to put it in words. Basically, take the structures of rock and metal, add the attitude, the “heaviness”, distortion, riffs, drumming, but don’t use any natural instruments. Just synths and drum machines.

It’s an interesting problem.

For starters, should you use always the same “guitar”, or whatever synth sound you have representing the guitar in the song? Furthermore, should it try to sound like a guitar or something completely different? Should every song approach the concept fresh, or keep cohesion?

How many instruments? Normal metal has two guitars and a bass? Does that mean three synths, or no limits? Where do you draw the line?

Just some of my musings.

June 2013
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